SCENE 01 / COLOR CORRECTION
Color Correction
Professional color correction services ensuring technical accuracy and visual consistency across your entire production.
Color correction is the technical step that balances footage for steady exposure, white balance, and tonal range across every shot. It fixes the mismatches that creep in from changing light, different cameras, or varied locations on a shoot.
We connect you with colorists and grading suites that deliver pro color correction for your project. Our team handles media prep, session scheduling, and quality control, so your footage lands on steady, technically accurate color that gives creative grading a solid base.
Capabilities
Professional Color Correction Services
Technical precision and visual consistency that establishes the foundation for exceptional post-production results.
01
Technical Accuracy
We tune color balance and exposure to meet professional broadcast standards.
Foundation
02
Shot Matching
We hold seamless continuity across scenes, angles, and multi-camera setups.
Consistency
03
Broadcast Standards
We meet the technical delivery specs for every platform.
Compliance
04
Multi-Platform
We tune color for cinema, broadcast, streaming, and mobile delivery.
Versatility
Technical Services
Workflow & Standards
Our Color Correction Process
We follow a systematic approach to color correction that ensures technical excellence and visual consistency across your entire project.
Technical Assessment
We review your footage, spot the color issues, and set fix priorities for each scene and shot.
Primary Correction
Our team balances exposure, clears color casts, and sets a steady baseline across your whole project.
Shot Matching
Precise secondary fixes match shots, scenes, and camera sources so they blend seamlessly.
QC & Delivery
We verify broadcast compliance, run technical QC checks, and deliver corrected masters in the formats you need.
Why Us
Why Choose Our Color Correction
01.
Technical Precision
We apply accurate color science with close attention to each frame.
02.
Calibrated Systems
We work on pro-grade monitoring in color-accurate grading suites.
03.
Efficient Workflow
Our streamlined process turns work around fast without cutting quality.
04.
Global Standards
We meet broadcast and cinema specs worldwide.
On Location
Technical color correction and shot matching in France
French productions often mix several camera kits on one shoot. You might pair ARRI Alexa interiors in Paris studios with RED exteriors on the Côte d'Azur, add Sony FX9 documentary footage from Lyon, and cut in Canon C300 inserts shot on location in Normandy or Strasbourg. Our colorists work in Paris and Bordeaux grading suites with Rec.709 and DCI-P3 reference monitors. They apply solid color science to balance exposure, clear color casts, and bring every camera source onto one clean, technically steady base.
Working across DaVinci Resolve Studio and Baselight, our team runs ARRIRAW, RED R3D, Sony RAW, ProRes, and DNxHD pipelines up to 8K, with full ACES color when a shoot needs it. Each project passes pro waveform, vectorscope, and histogram QC against EBU R128, SMPTE, and the gamut needs for Netflix, Apple TV+, France Télévisions, and theatrical IMF delivery. Corrected masters arrive ready for creative grading or direct delivery, and technical reports log compliance, so QC teams at TV networks have no reason to reject them.
FAQ
Frequently Asked Questions
What's the difference between color correction and color grading?
Color correction is the technical step that balances exposure, clears color casts, and keeps shots consistent. Grading is the creative step that follows, where we build specific looks and styles. We do correction first to set a clean base, then apply the creative grades on top.
Can you match footage from different cameras?
Yes. We match footage from many camera systems, each with its own color science. Whether you combine ARRI, RED, Sony, or Canon footage, we balance every source so scenes match seamlessly across your whole project.
How do you ensure broadcast compliance?
We use pro scopes (waveform, vectorscope, histogram) and automated QC tools to check that all footage hits broadcast-safe levels for your target platform. That covers luminance, chrominance, and gamut compliance for specs like EBU R128, SMPTE, and any platform-specific needs.
What formats and resolutions do you support?
We handle all pro formats, including ARRIRAW, RED R3D, Sony RAW, ProRes, and DNxHD, at resolutions from HD through 8K. Our color-managed pipeline keeps reproduction accurate no matter the source format or delivery specs.
Related Services
Productions in France that need this often pair it with Color Grading Services, Look Development Services, and Online Conform & QC Services for full coverage. Most projects also draw on Audio Post-Production Services and Title Design & Credits Services.
On Set
Ready for Professional Color Correction?
Let's ensure your footage looks its absolute best with expert color correction.