Digital Cinema Package (DCP)

Here is how this works in practice. DCP creation in France runs through facilities certified for digital cinema. Including the mastering rooms long associated with Eclair in Vanves and the Saint-Cloud post-prod corridor. Whether your film is heading to Cannes, the Lumière in Lyon, or a wide commercial release across UGC and Pathé networks, we build JPEG2000-encoded packages that conform to DCI specs and verify every reel on a DCI-grade projector before shipment.

Audio masters travel as 5.1, 7.1, or Dolby Atmos depending on your theatrical plan, and subtitle tracks are authored against the SMPTE standard so the package plays cleanly across European cinema circuits and the festival servers used at Annecy, Deauville, and the Marché du Film.

Here is the short of it. Encrypted DCPs ship with managed KDM generation tied to the specific server fingerprints of your exhibitors. While unencrypted versions serve festival submissions where simplicity wins. We handle Open Subtitle Track variants, version files for territory-specific releases, and rush turnaround for late-cut features that need a Croisette deadline. You receive a hard drive plus verified upload to your distributor's intake portal. With playback reports confirming the package was tested from start to finish before it ever reaches a projection booth.