SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services France
We turn raw footage into finished, broadcast-ready content. Our post-production team brings both technical precision and creative leadership to film, television, and digital media.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our Avid and Premiere editors have worked with global distributors. They shape Canal+ and France Télévisions video into tight narrative pieces.
Visual Finishing
Our Paris facilities pair DaVinci colorists with Nuke compositors. They work in HDR and ACES and deliver broadcast-compliant masters.
Audio Perfection
Our facility runs Dolby-certified mixing stages, Foley rooms, and ADR booths. Together they produce audio for cinema, streaming, and broadcast platforms.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our Premiere Pro and Avid editors handle commercials, documentaries, and feature films. They guide each project from first assembly to final picture lock.
Rough Cut to Final Cut
We fold in director notes across clear revision rounds. Each timeline is then locked and ready to finish.
Narrative & Documentary
We turn interviews, B-roll, and scripted footage into a clear story. Each cut is shaped around the narrative.
Multi-Cam Sync
We sync camera angles from concerts, panels, and live events. The result is one clean, unified edit.
Interview & Dialogue
We trim pauses, smooth jump cuts, and pull the best selects from long interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match your shots and hold exposure and white point steady. This matters most when footage spans mixed lighting and different cameras.
Color Grading
Our colorists work in DaVinci Resolve and Baselight. They build cinematic looks, from film-like tones to bright commercial palettes.
Online Conform & QC
We complete final VFX integration with automated QC checks. Each master ships broadcast-compliant.
Look Development
We build pre-production LUTs and style references so your final look shows on set monitors.
Motion & VFX
Linked ServicesMotion Graphics
Our After Effects and Cinema 4D artists build lower thirds, animated sequences, and infographics. These run on television and online.
VFX Compositing
Our Nuke and Fusion compositors blend green screen plates with set extensions. The result is seamless, invisible live-action effects.
CGI & 3D Animation
Our Maya and Houdini artists craft photorealistic CGI. This covers environments, character animation, and product shots for commercials and film.
Title Design
We design main titles, end crawls, and credit sequences. Each one matches your project's tone and brand guidelines.
Matte Painting
Our artists use Photoshop with 3D software to build environments, replace skies, and extend sets from live-action scenes.
Rotoscoping
We hand-trace mattes frame by frame for complex composites. This lets us lift actors and stray elements out of each shot.
Audio Post
Linked ServicesSound Design
We craft sonic atmospheres, impacts, and textures. Each one supports your story's emotional beats and pacing.
Foley Recording
Our Paris Foley team records every on-screen sound, from footsteps to cloth and prop noises. Each cue tracks the action exactly.
Dialogue & ADR
We clean up production audio, replace dialogue, and record French and English lip-sync.
Music & Scoring
We commission original scores from French composers. We also handle library music supervision and sync licensing.
Mixing & Mastering
We mix in Pro Tools on Dolby-certified stages, with broadcast-compliant loudness metering throughout.
Immersive Audio
We deliver Dolby Atmos mixes alongside 5.1 and 7.1 formats. Exact object and bed placement supports theatrical, streaming, and broadcast.
Audio Restoration
We use iZotope and Cedar to strip hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption, KDMs, and ingest testing. These serve both French and international theaters.
Broadcast Delivery
We deliver masters that meet France Télévisions, Canal+, and EBU R128 specs, with full QC reports.
Streaming Platforms
We prepare Netflix, Amazon, Disney+, and Apple TV+ deliverables. Each one meets the platform's own technical specs.
Archival & Preservation
We keep LTO tape archives, checksummed backups, and preservation masters. These protect your assets for the long term.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265, and legacy formats. We also handle frame rate and resolution changes.
Why Fixers in France
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Our broadcast-compliant workflows meet Netflix, BBC, and major platform specs.
02.
Fast Turnaround
We offer expedited delivery with 24/7 support for tight deadlines and urgent projects.
03.
Creative Partnership
We work closely with directors and producers to bring your vision to life.
04.
End-to-End Service
We run the full post-production pipeline, from ingest to final delivery, under one roof.
On Location
Post-production editing and finishing France
Paris has long been home to some of Europe's most respected post-production talent. Our edit team draws from that deep pool to deliver polished, broadcast-ready content reliably on schedule. Whether your production wrapped on the Côte d'Azur, in Normandy, or in the Alsatian countryside near Strasbourg, we receive your media securely and start the edit at once. We move from first syncing and assembly through to picture lock, with clear revision milestones and review stages agreed in advance with your producer.
Parisian editors and colourists on calibrated, reference-grade displays — every spec from broadcast master to theatrical DCP.
Our Video Editing service covers every format, from fast-turnaround social cuts to long-form Narrative & Documentary Editing that respects the rhythm and intent of the source material. We handle Color Correction and Grading on calibrated, reference-grade displays, which keeps the visuals consistent whether the final delivery is a streaming master, a theatrical DCP, or a broadcast master. Our multi-cam sync workflows support talk-show and live-event material shot across many camera positions, keeping dialogue and action aligned through every version of the cut.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The full process runs from dailies through to final delivery. We edit offline in Avid or Premiere, then move to online conform for VFX integration. DaVinci color sessions and Pro Tools sound editorial follow, with Foley and ADR when needed, and the project ends with a final mix on a calibrated stage. We manage every technical handoff, so you never juggle separate vendors. Each deliverable comes QC'd to spec, whether that is a Netflix IMF, a France Télévisions broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
Commercials run from a 2-3 week offline lock through to final delivery. Documentaries span eight to twelve weeks, since the work depends on clearing archives and transcribing interviews. Projects with heavy visual effects need 16–24 weeks, while dialogue-driven films move faster. We have pulled off emergency turnarounds when festival deadlines loom, but those cost more and burn people out. It is better to build realistic schedules from the start.
Do you handle international deliverables?
Yes, we do this daily. Each streaming platform sets its own tech specs: Netflix needs IMF packages with specific audio channel layouts, Amazon runs its own quality review, and Apple TV+ needs Dolby Vision support. We stay current on all of them. For broadcast, we deliver to the EBU R128 loudness standards that French and European channels require. We test Cinema DCPs on theater servers before we start the delivery process.
Can you match existing looks or brand guidelines?
Our colorists work from LUTs, CDLs, and reference stills. With these they match seasons, hold brand consistency, and recreate a director's reference look. Our suite uses calibrated monitors that recreate true viewing conditions, so you see your OK'd content as it will play in theaters. For series work, the team builds show LUTs that stay steady across episodes and seasons.
What formats can you work with?
We work with every current format: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also handle legacy formats when archive material enters the cut, from digibeta and HDCAM SR to film scans. Our Paris facilities keep both modern gear and the older decks for when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project, and we will deliver broadcast-ready masters on time and on budget.