Wireless Microphone Systems

Here is how this works in practice. Wireless work in France is shaped by the local RF reality — the saturated range around Bastille, La Défense, and the Cité du Cinéma backlot, the cleaner air over rural Provence and Côte d'Azur exteriors, and the rules set by ANFR. We supply Lectrosonics Digital, Wisycom MCR54 and MTP series, Zaxcom, and Sennheiser EW-D systems through Paris rental partners including TSF, RVZ, and Loca-Images, with frequency planning handled in advance so a six-cast scene in a Marais courtyard runs as clean as a single-lav documentary day in Toulouse.

Here is the short of it. Each package ships with matched lav choices. DPA 4060 and 6060 for concealment in period costume on a Loire Valley feature, Sanken COS-11D for run-and-gun documentary days in Lyon or Marseille, and Countryman B6 for short-haired wardrobe on commercial shoots. Plus antenna distribution, RF cables, spare transmitters for each active channel, and backup capsules held in Paris on a same-day swap clock.

Here is the breakdown. Our team scans the location before delivery, allocates channels for camera-side hops, IEMs, and comms in a single set up plan, files the needed ANFR forms, and stays reachable from Paris across the shoot so a frequency conflict gets diagnosed and resolved before it ever reaches the slate.