SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your French production.
Wireless communication and audio systems keep production teams connected and sound flowing without cables. They cover wireless intercoms, IFB feeds, audio hops, and comms networks. Each one matters when you run large crews across wide sets or scattered locations.
We supply wireless packages built around your production's own communication and audio needs. Our team plans the frequencies and tests every unit so the signal stays clean and free of interference. That keeps crew talkback seamless and audio reliable across the whole shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
We scan your locations to read the RF environment and find clean frequencies.
System Design
We design one integrated wireless setup that covers audio, video, and control.
Frequency Coordination
We allocate and log frequencies so every system runs without interference.
Production Support
We track the RF and support your crew across the whole shoot.
On Location
Integrated wireless infrastructure for French shoots
Wireless setups on a French production now do far more than lavs. They send video to the director's tent, drive lens control on a Steadicam in a Lyon side street, feed IFB to talent on a Côte d'Azur jetty, and carry comms across a 60-crew night exterior in Marseille. Every one of those signals fights for the same range.
We deliver integrated wireless packages built around Teradek Bolt and Vaxis Storm video hops, Preston FIZ and ARRI WCU-4 lens control, Lectrosonics IFB, and Riedel or Clear-Com beltpacks. We source them through TSF, Panavision Alga, and Transpalux. That way the camera, sound, and comms departments all draw from a single planned RF map.
Our team runs a location scan before each shoot, files the channel allocations within French ANFR rules, and labels each transmitter against the department that owns it. We plan frequencies for shoots running dozens of channels at once across many units. This is common on series work staging out of Cité du Cinéma and on feature shoots moving between Paris, Bordeaux, and Provence. A RF technician stays reachable for the full run, so any problem is found and fixed before it costs a take.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up every production wireless system: microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Careful planning makes them all work together without interference.
How do you handle frequency allocation?
We scan your locations, find clean frequencies within French legal range, and allocate channels to each department. Our team supplies frequency records and helps every department program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems to feed the video village. They send a zero-latency picture, so directors and clients monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems such as Preston FIZ, ARRI WCU-4, and Tilta Nucleus. Our team sets the lens control frequencies to sit cleanly with your other wireless systems.
What about French RF regulations?
We know French frequency rules well and keep all wireless gear inside the legal range. Our team can also advise on the sign-ups that high-power systems need.
Can you support large-scale productions?
Yes, we often run shoots with dozens of wireless channels across many departments. Complex shoots gain the most from full RF planning.
Related Services
Productions in France that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.