SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your French production.
Lens kits gather curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control and steady color rendering. They also carry the optical traits that shape a project's visual texture and depth.
We set up lens kit rentals to match your cinematographer's taste and your camera's mount. Our team works with local rental houses to build full lens packages. We book prep time for testing and keep backup options ready when you need them.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual style, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cinema lens kits curated for French productions
Lens selection in France draws on one of the fullest cinema glass inventories in Europe. That pool spans Panavision Alga's Primo and anamorphic sets, ARRI Rental's Signature Primes and Master Anamorphics, TSF's Cooke S4/i and S7/i lineup, and RVZ's vintage Speed Panchro rehouses. We build lens kits against the DP's reference frames and the camera mount in play. That might be a full LPL Signature set for an Alexa 35 feature at Cité du Cinéma, or a Cooke S7/i kit for a Sony Venice 2 commercial moving between Paris and the Côte d'Azur. It could also be a hand-picked vintage glass package for a Provence-set period drama.
Our team books prep days at the rental house closest to your basecamp. We run projector and back-focus tests against the actual camera body. When a focal length only sits at a partner house in Lyon or Bordeaux, we set up a cross-rental. Each kit ships with protective cases, lens data cabling where it applies, and matched follow-focus motors and wireless lens control. Backup lenses stay within reach from Paris on a same-day delivery clock, so a damaged element on a moving location is replaced inside the same shooting day rather than blocking the schedule.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Most sets run focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Yes. We stock full-frame lenses such as ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage that large format sensors need.
What anamorphic options are available?
We supply anamorphic lenses such as ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits that many shoots want.
Can you provide zoom lenses?
Yes. We stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms come in both full-frame and Super 35 coverage for many uses.
Do you offer vintage lenses?
Yes. We keep curated sets of vintage glass, such as rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals come with protective cases, front and rear caps, and lens data cables where they apply. We can also add follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in France that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.