Multi-Camera Production Services

Here is how this works in practice. From Canal+ studios in Boulogne-Billancourt to festival main-stages at Cannes, Vieilles Charrues, and the Fête des Lumières in Lyon, our multi-camera teams arrive as a synchronised broadcast unit. We assemble vision mixers, camera ops, EVS technicians, and engineering crew who have already shipped together — running 3-camera interview rigs at La Maison de la Radio, 7-camera corporate keynotes at La Défense Arena, and full 12+ camera concert captures at the Olympia and AccorHotels Arena. Camera matching (Sony HDC, Grass Valley LDX, or Sony FX6/FX9 with ALEXA Mini for cinema-multicam) is sourced through RVZ, TSF, and Transvideo to keep colour science steady across each angle.

Here is the short of it. Each setup has redundant ISO recording to AJA Ki Pro or Atomos Sumo, dual-PSU vision mixers (Blackmagic ATEM Constellation or Ross Carbonite), and licensed RTS/Riedel comms for clean talkback between gallery, floor, and remote input feeds. We integrate with venue audio at the Zénith network, deliver simultaneous RTMP/SRT streams to YouTube, Vimeo, and bespoke CDNs, and hand post a fully framed-up multicam project ready to drop into Avid or Premiere — so your edit starts on day one of post, not week one.