Multi-Camera Setups

Here is how this works in practice. From sold-out nights at Accor Arena and the Zénith de Paris to corporate keynotes at the Palais des Congrès, festival sets across the Cannes Croisette, and the broadcast pits at Roland-Garros, our multi-camera packages scale from three-camera intimate sets to twelve-plus rigs with jibs, Steadicams, RF roving units, and POV mounts. We match Sony HDC, Grass Valley LDX, and Sony Venice cinema chains to the venue's signal chain, then run everything through Grass Valley Karrera or Sony XVS switchers with full intercom, redundant ISO recording, and broadcast-grade fiber back to the OB van.

Here is the short of it. French live production runs on tight cues and tighter unions. Our directors and vision mixers know the rhythm — pre-light at the Olympia, rehearsal in Lyon's Halle Tony Garnier, full programme through Mediaserver-fed IMAG to the audience screens, then a clean PGM plus eight ISO feeds delivered to your edit team that night. We set up satellite uplinks, YouTube and Twitch CDN ingest, and SCAM/SACEM rights handling so concerts, conferences, and live theatre across Paris, Marseille, and Bordeaux ship to broadcast and streaming without the seams showing.