Multi-Camera Setups

We cover sold-out nights at Accor Arena and the Zénith de Paris, corporate keynotes at the Palais des Congrès, festival sets across the Cannes Croisette, and the broadcast pits at Roland-Garros. Our multi-camera packages scale from intimate three-camera sets to twelve-plus rigs with jibs, Steadicams, RF roving units, and POV mounts. We match Sony HDC, Grass Valley LDX, and Sony Venice cinema chains to the venue's signal chain. Everything then runs through Grass Valley Karrera or Sony XVS switchers, with full intercom, backup ISO recording, and broadcast-grade fiber back to the OB van.

French live production runs on tight cues and tighter unions, and our directors and vision mixers know the rhythm. That means a pre-light at the Olympia and a rehearsal in Lyon's Halle Tony Garnier. The full programme feeds through Mediaserver-driven IMAG to the audience screens, then a clean PGM plus eight ISO feeds reach your edit team that night. We set up satellite uplinks, YouTube and Twitch CDN ingest, and SCAM/SACEM rights handling. Concerts, conferences, and live theatre across Paris, Marseille, and Bordeaux then ship to broadcast and streaming without the seams showing.