Volumetric Capture

Volumetric capture lands a performance as a 3D asset rather than a flat plate. France's stage scene is now mature enough to host the format well. We use partner volumes around Cité du Cinéma in Saint-Denis and the Aurélian Studios capture floor in Paris. Our pipelines tie into Mac Guff and Mikros, which post-process the dense mesh sequences and photogrammetric textures that come off the rig. Each package runs multi-camera arrays of forty to one hundred-plus synced machine-vision and high-resolution cinema cameras. We add depth sensors and even lighting domes built for clean reconstruction.

Productions tap volumetric for VR concert experiences and AR brand activations at Paris Fashion Week. Others use it for hologram-style stage projections at the Olympia and Paris La Défense Arena, for museum displays, and for game cinematics sent to studios in Lyon, Bordeaux, and Montpellier. We brief talent on wardrobe, steering them toward solid matte colours with no fine repeating patterns. We then deliver point clouds, MP4-encoded volumetric streams, and mesh sequences for Unity and Unreal. Custom pipelines feed ARCore, ARKit, and WebXR runtimes, so the asset works wherever your audience meets it.